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Composers Bureau Archives

Eric Stokes

Orchestral Works

  • Cotton Candy (1986), 5 minutes. "A Pops concert favorite"
  • A Center Harbor Holiday (1963), concerto for tuba and orchestra. 14 1/2 minutes.
  • The Continental Harp & Band Report (1974-75). 9 movements which may be played in almost any order and number from 1 to all. 42 1/2 minutes.
  • Symphony(s) I (1979), 30 minutes. Four movements.
  • Symphony(s) II (1981), 16 1/2 minutes. Three movements.
  • Symphony(s) III (1989), "Captions on the War Against Earth", 14 minutes. Three movements.
  • Symphony(s) IV (1991), "The Ghost Bus to Eldorado", 15 minutes. Three movements.
  • Symphony(s) V (1991), "Native Dancer", 24 minutes. Four movements.
  • Prophet Bird (1992), 21 minutes. Seven movements based on Robert Schumann piano miniatures, recomposed and orchestrated.
  • Fanfare of Rings (1994), 4 minutes.
  • Concert Music for Piano and Orchestra (1982), concerto for piano and orchestra, 23 1/2 minutes. Three movements.

Chamber Orchestra and conducted ensembles

  • Stages (Homage to Kurt Weill) (1988), for flute, clarinet, trumpet, trombone, cimbalom solo, two violins and bass. 17 minutes. 4 movements.
  • Neon Nocturne (Shadow Set) (1990) for eight trombones. 9 minutes.
  • Sonatas (1966) for string orchestra. 7 minutes.
  • Expositions (1970) for accordion (or harmonium or organ), violin, cello (or harp), flute, oboe, trumpet (or clarinet), horn, piano and 1 percussion. 15 minutes. 3 movements.
  • On the Badlands - Parables (1972) for chamber orchestra. 12 1/2 minutes. 3 movements.
  • 5 Verbs of Earth Encircled (1973) for strings and narrator with harmonium or 7 winds. 25 minutes. 6 movements.
  • Pack-Rat (2-step) Slow (March) Drag (1976) for winds, trumpet and percussion. 6 minutes.
  • Inland Missing the Sea (1976) for soprano, tenor, baritone, oboe, horn, cello, harp, piano (cel. organ) and 1 percussion (9 players). 27 minutes. 9 songs - solo, duo, trio.
  • The Spirit of Place Among the People (1977) for 2 piccolos, 3 trumpets, 2 or more percussion, strings and audience. 7-8 minutes. 1 movement concerto for audience and orchestra.
  • Prairie Drum (1981) for string quintet, flute (picc), oboe, clarinet, bassoon, horn, trumpet and trombone. 24 minutes. 5 movements.
  • The Greenhouse Effect (1983) for 1 or more of each: flute, clarinet, e-flat saxophone, horn, three percussion, viola, cello and bass (optional subsitutions and/or additions). 7-8 minutes. 1 movement. May be performed as part of Symphony(s)
  • Stippling on Motley (1995) for flute, clarinet, trombone, 1 percussion, piano, violin, viola and cello. 18 minutes. 4 movements.
  • Lampyridae (1973) for indeterminate instrumentation for 14 or more players with flashlight assistants. A theatre piece. 5 minutes to infinity. 1 movement.
  • Hennepin Avenue Marches, Struts to St. Cecilia's Day (1970) for band.



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Last updated 3/31/04
Sigma Alpha Iota ©2003

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