Annual American Composers Update
Augusta Read Thomas
SAI Honorary Member Augusta
Read Thomas holds the position of Associate Professor
of Composition at the Eastman School of Music. In June
1997 she began a three-year term as Composer-in-Residence
with the Chicago Symphony Orchestra. In 1996-97 she
taught composition to high school students at the Harley
School, Rochester, NY, as part of The Commission Project.
She was invited to join the visiting faculty of the
Salzburg Seminar's session, Music for a New Millennium:
The Classical Genre in Contemporary Society Seminar,
Dec. 6-13, 1997, held at Schloss Leopoldskron in Salzburg
on the occasion of the Seminar's 50th anniversary. She
became an Honorary Member of SAI in 1996. Among Thomas's
upcoming projects are an opera, Dreams in the Cave
of Eros, in collaboration with Leslie Dunton-Downer;
Concertino for Orchestra, commissioned by the
Rochester Philharmonic Orchestra to celebrate its 75th-anniversary
season, May 21-23, 1998; Orbital Beacons, for
orchestra divided into ten sections, commissioned by
the Chicago Symphony Orchestra for its 1998-99 season;
a ballet commissioned by the Saint Paul (MN) Chamber
Orchestra and the James Sewell Dance Company, to be
premiered at the Ordway Theater, September 1998; an
organ work commissioned by the American Guild of Organists
for a July 1998 premiere; and a cello concerto for David
Finckel, commissioned by the Aspen Music Festival, for
a premiere during its 50th-anniversary season, July
1999.
Premieres
In 1997 Mstislav Rostropovich gave the
Russian premiere of Ligeia, with the Moscow Opera
Company. Conducted by Pierre Boulez, the Chicago Symphony
Orchestra presented Words of the Sea, December
1996. Under Seiji Ozawa, Rostropovich and the Boston
Symphony Orchestra introduced Chanson, April
1997, in Boston's Symphony Hall and New York's Carnegie
Hall. Also in Carnegie Hall, the Rascher Saxophone Quartet
and the American Composers Orchestra, led by Dennis
Russell Davies, gave the first performance of Brass
Axis, a saxophone quartet concerto, Jan. 11, 1998.
On Apr. 25, 1998, Flute Concerto will be heard
first, with Nadine Asin and the Chamber Orchestra of
the South Bay. Except for the Flute Concerto,
which was funded by Thomas Van Straaten, all works were
commissioned by the performers.
Further Information